Inception: Dreams and absorption
Inception is a heist movie that rests on a intriguing premise. The premise is not exactly original in its essence, but sort of is in its execution which is about entering and sharing each others dreams. The idea of not knowing if one is dreaming or not is a philosophical dilemma posed by many great minds, most notably perhaps by René Descartes who concluded that he could doubt everything he knows and senses except the fact that he is.
Inception bases its plot on this philosophical idea and many others but never really engages it. It simply states them. The main character says in one scene of the movie that we can never really remember how we ended up in certain places or situations in dreams, we just accept what is around us for what it is. It is almost strange how easily he says this, everyone can relate to this feeling of being somewhere lost in the moment and suddenly becoming aware that they are dreaming. The dreamers in Inception are completely absorbed in the moment, in the situation they find themselves in. They do not question it as long as no one brings their attention to it.
Inception also has this affect on its viewers. In the very first scene of the movie we find ourselves inside a dream, inside a situation. Action, deception, theft and betrayal is what we get in the films opening scene and the audience doesn't really get any breathing room to think about the situations and concepts the movie throws at them - they simply accept them and become absorbed in the narrative.

As I said before, the film poses many intriguing philosophical dilemmas but doesn't elaborate on them, itsimply gives us the premise and moves on. It shows us a box with tubes and say it's a machine that lets us share our dreams with others and moves on, it tells us that we cannot truly know if we are dreaming or not and moves on, it tells us that we can fall asleep and dream within a dream and it moves on. This is part of its charm, the characters state these facts so intensely and so sincerely that we don't question it's logic - we just accept the premise and the situation.
This all would however not be possible if the film wasn't so perfectly made. Everything in it's production, from the cinematography to the wardrobe design is near perfect. The film is in many way a exercise in filmmaking. It plays with the concept of time in the narrative by letting the action unfold simultaneously in different stages of dreams which, in turn, have different stages of time. Everything completely believed by the audience that has does not question it's logic or realism, but simply accepts everything and gets lost in the dream.
True Grit (1969)
One of the best westerns ever made in my opinion is True Grit. The story centers around a girl who seeks to bring the man who murdered her father to justice. When the local sheriff tells her that the man is out of their reach, she hires a aging U.S. Marshall to track the killer down.
This is the only film John Wayne won a oscar for and it was well deserved. The director Henry Hathaway doesn't hit a single false note throughout the film. Music, cinematography and art design all top notch. A solid western that still holds up today.
It's currently being remade by the Coen brothers starring Jeff Bridges as the Marshall.
A comedian becomes a Mayor: The Best Party Wins Election
Yesterday a party called "The Best Party" won a victory in the Icelandic capital Reykjavík. The Best Party's leader, Jón Gnarr, is a well known comedian and actor in Iceland.
The Best Party, founded by comedian Jon Gnarr, secured 34.7% of the vote, ahead of the Independence Party's 33.6%.
Its campaign video featured candidates singing to the tune of Tina Turner's "Simply The Best".
Key pledges included "sustainable transparency", free towels at all swimming pools and a new polar bear for the city zoo.
The party also called for a Disneyland at the airport and a "drug-free parliament" by 2020.
As well as specific pledges, its video promised change, a "bright future" and suggested that it was time for a "clean out".
The video highlights in my opinion the Best Party's strategy by using humor to connect with the common man. Instead of using typical voting slogans they use humor to get people to think about their choices in a new and different way.
Movies that illustrate philosophical problems
The Matrix (1999) is probably the most famous example of a movie illustrating philosophy.
But as Jerry Goodenough says in Film as Philosophy, Total Recall (1990) is perhaps a better example of this kind of movie. Though Total Recall displays in general the same philosophical problems as The Matrix, it’s presentation is a bit different and the movie is a little less known.
Total Recall follows a man that buys a memory implant so that he can take a trip to Mars in his mind. But soon things go wrong and neither he or we are really sure if what he is experiencing is real or not.
Total Recall presents at least two philosophical problems:
First, it presents the problem of the nature of experience. In the film a company sells memories of experiences. This is a example of a famous philosophical concept introduced by Robert Nozick, called the Experience Machine, and deals wih the idea if we would be given the chance - would we want to be hooked up to a machine that would present us with the perfect life instead of living out our mundane lives as they really are? Is it better to be a happy pig than a sad Socrates?
Secondly, it presents the problem of reality and the nature of knowledge. This is a example of René Descartes’ concept of “cogito ergo sum” (e. “I think, therefore I am”) where he concludes that he can doubt all of his senses and the only thing that can be truly real is thought.
As shown in this clip, if we doubt our own senses, it can be very difficult to determine if the things we are seeing are real or not.
Random Picks: Death Wish (1974)
A powerful film about a man played by Charles Bronson seeking revenge for the death of his wife. It has been remade countless of times, most recently (and notably) perhaps by Neil Jordan as The Brave One and Daniel Barber as Harry Brown.
Death Wish explores the vigilante concept in a grown up fashion. The protagonist is a good man faced with a overwhelming evil in his life. He feels helpless, scared and weak. When he acquires a gun and starts shooting muggers in the streets of New York the movie only watches him with a certain curiosity, we don't agree with his actions but we can understand it. As Roger Ebert says in his review of the film:
Alone in his apartment, Bronson examines snapshots from his recent Hawaiian vacation with his wife. Then he examines the gun. He goes out into the night, is attacked by a mugger and shoots him dead. Then he goes home and throws up. But the taste for vengeance, once acquired, has a fascination of its own.
This story might reach modern audiences a bit better in The Brave One, which is a good movie, but Death Wish has a certain raw undertone that makes it very unique.
The worst movie gimmick since Smell-O-Vision
A promo for a interactive horror movie, where the film's protagonist calls a member of the audience and gets them involved in the story, the protagonist asks the audience member questions and the story changes based on the answers.
It would be a rather dull exercise to try to point out how futile and pointless this experiment is. So let's just sit back and enjoy the promo.. and hope they don't call in the meantime.
My awesome Oscar predictions
My 14th or 15th year watching the Oscars in a row. It always makes me giggle with excitement. There something about it that I both love and hate, but always enjoy.
And as I do every year I predict and get it ...mostly right. But this year I am certain that:
Best Picture and Directing goes to The Hurt Locker
Best Actor in a Leading Role goes to Jeff Bridges for Crazy Heart
Best Actor in a Supporting Role goes to Christoph Waltz for Inglourious Basterds
Best Actress in a Leading Role goes to Sandra Bullock for The Blind Side
Best Actress in a Supporting Role goes to Mo'Nique for Precious
Other winners will be Up for Animated Feature Film. Avatar for Art Direction, Cinematography and Visual Effects. The White Ribbon for best Foreign Language Film. Coco before Chanel for Costume Design. Star Trek for Makeup.
Best Original Screenplay will be Inglourious Basterds. Best Adapted Screenplay will be Precious. Original Music, Sound Editing and Sound Mixing will be Avatar. Short Film (Live Action) will be The Door and Animated Short Film will be A Matter og Loaf and Death.
Best Short Documentary will be China's Unnatural Disaster... and Documentary Feature will be The Cove.
That's it for my predictions, if 1/3 of them prove incorrect, I will eat my hat.
UPDATE: The evening was great, a lot of suprises in the earlier category's but not many in the main ones, Direction, Best Pictures, Actor, Actress. Was suprised that The White Ribbon didn't win Best Foreign Film and the same goes for Inglourious Basterds for best screenplay.
Seems I was a little more than 1/3 wrong in my predictions so I ate my hat. It was delicious.
Random pick of the week: Balance (1989)
A short film about five individuals that live on a platform floating in space.
They constantly work together to keep the platform balanced until one day a mysterious box threatens to shift the balance of power.
Made in 1989 by the twins Christoph Lauenstein and Wolfgang Lauenstein, Balance won the Oscar for the Best Animated Short at the Academy Awards in 1990.
A interview with Alfred Hitchcock in 1973
A excellent interview with Alfred Hitchock on the Tomorrow Show in 1973. Among other things, Tom Snyder asks Hitchcock about the roots of his fears.
Good Stuff.
