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	<title>What is a movie?</title>
	<link>http://arnar.icelandcinemanow.com</link>
	<description>A Cinephile Blog from Icelandcinemanow.com</description>
	<lastBuildDate>Mon, 17 Oct 2011 01:29:37 +0000</lastBuildDate>
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		<title>Internationally Irish: The films of Neil Jordan – Part 5 of 5</title>
		<description><![CDATA[Back to Ireland. Neil Jordan’s next movie was Michael Collins (1996), a big blockbuster epic starring Liam Neeson as the Irish freedom fighter. The film was shot in Ireland and financed by Irish, English and American companies. Michael Collins paints a &#8230; <a href="http://arnar.icelandcinemanow.com/2011/10/17/internationally-irish-the-films-of-neil-jordan-%e2%80%93-part-5-of-5/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://arnar.icelandcinemanow.com/2011/10/17/internationally-irish-the-films-of-neil-jordan-%e2%80%93-part-5-of-5/</link>
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		<title>Internationally Irish: The films of Neil Jordan – Part 4 of 5</title>
		<description><![CDATA[International fame. Mona Lisa (1986) made Neil Jordan noticeable in the United States. The film is about a ex-con named George that gets out of jail, only to find his stature within the crime community decreased and gets a job from the &#8230; <a href="http://arnar.icelandcinemanow.com/2011/10/10/405/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://arnar.icelandcinemanow.com/2011/10/10/405/</link>
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		<title>Internationally Irish: The films of Neil Jordan – Part 3 of 5</title>
		<description><![CDATA[First steps. &#160; Angel is in a sense, a revenge thriller, a movie that deals with violence and its effect on people who are directly or indirectly responsible or victimized. The movie was influenced by a film John Boorman had &#8230; <a href="http://arnar.icelandcinemanow.com/2011/09/19/internationally-irish-the-works-of-neil-jordan-%e2%80%93-part-3/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://arnar.icelandcinemanow.com/2011/09/19/internationally-irish-the-works-of-neil-jordan-%e2%80%93-part-3/</link>
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		<title>Internationally Irish: The films of Neil Jordan – Part 2 of 5</title>
		<description><![CDATA[Grievances. Neil Jordan made his first full-length movie in 1982. The movie was called Angel and starred Stephen Rea as a saxophonist who witnesses the brutal murder of his manager and a def mute girl and sets out to avenge &#8230; <a href="http://arnar.icelandcinemanow.com/2011/08/07/internationally-irish-the-work-of-neil-jordan-%e2%80%93-part-2/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://arnar.icelandcinemanow.com/2011/08/07/internationally-irish-the-work-of-neil-jordan-%e2%80%93-part-2/</link>
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		<title>Internationally Irish: The films of Neil Jordan &#8211; Part 1 of 5</title>
		<description><![CDATA[Neil Jordan is without a doubt the most successful filmmaker in the history of Irish cinema. He has directed fifteen feature length films in all. Jordan’s films are special in a sense because most of his films are not made in &#8230; <a href="http://arnar.icelandcinemanow.com/2011/08/05/internationally-irish-the-work-of-neil-jordan-part-1/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://arnar.icelandcinemanow.com/2011/08/05/internationally-irish-the-work-of-neil-jordan-part-1/</link>
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		<title>Postmodern Cinema and the concept of memory: Wings of Desire</title>
		<description><![CDATA[Witnessing the history of memory. In a way Wings of Desire (1987) is about memory. The main protagonist even remembers how the world was created. On the surface the movie  is a story about an angel that falls in love &#8230; <a href="http://arnar.icelandcinemanow.com/2011/03/05/postmodern-cinema-and-the-concept-of-memory-wings-of-desire/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://arnar.icelandcinemanow.com/2011/03/05/postmodern-cinema-and-the-concept-of-memory-wings-of-desire/</link>
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		<title>The look of a good actor</title>
		<description><![CDATA[A recent whiskey commercial for Jim Bean reminds us why Willem Dafoe is a great actor. In just over a minute the commercial has shown us multiple versions of one man. The soothing voice talking throughout the images ponders the &#8230; <a href="http://arnar.icelandcinemanow.com/2011/02/25/the-look-of-a-good-actor/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://arnar.icelandcinemanow.com/2011/02/25/the-look-of-a-good-actor/</link>
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		<title>Remembering Biogen (02.24. 1976 &#8211; 02.07. 2011)</title>
		<description><![CDATA[Sigurbjörn Þorgrímsson also known as Bjössi Biogen past away on February 7. 2011. I did not only know him as my friend&#8217;s older brother but also as a good and decent man that possessed a deep and sensitive soul. He was a &#8230; <a href="http://arnar.icelandcinemanow.com/2011/02/19/remembering-biogen-02-24-1974-02-07-2011/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://arnar.icelandcinemanow.com/2011/02/19/remembering-biogen-02-24-1974-02-07-2011/</link>
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		<title>Postmodern Cinema and the concept of memory: The Mirror</title>
		<description><![CDATA[Subjective memories. If the replicant in Blade Runner had implanted memories, they could have well been uploaded from the movie The Mirror by Andrei Tarkovsky. The movie is about a man who is dying and on his deathbed he remembers &#8230; <a href="http://arnar.icelandcinemanow.com/2011/01/30/postmodern-cinema-and-the-concept-of-memory-the-mirror/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://arnar.icelandcinemanow.com/2011/01/30/postmodern-cinema-and-the-concept-of-memory-the-mirror/</link>
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		<title>Postmodern Cinema and the concept of memory: Blade Runner</title>
		<description><![CDATA[Do humans dream objectively? I want to discuss the concept of memory in light of three movies that are considered to be postmodern, namely: Blade Runner (1982) Zerkalo (The Mirror, 1975) and Der Himmel über Berlin (Wings of Desire, 1987). &#8230; <a href="http://arnar.icelandcinemanow.com/2011/01/23/postmodern-cinema-and-the-concept-of-memory-blade-runner/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<link>http://arnar.icelandcinemanow.com/2011/01/23/postmodern-cinema-and-the-concept-of-memory-blade-runner/</link>
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